Let PBS’s ‘Edison’ ignite your creative spark!

By DAVID CRUMM
Editor of ReadTheSpirit online magazine

THERE is no more iconic American pioneer than Thomas Alva Edison—although his bright light may have been eclipsed in recent decades by other celebrated American innovators: Steve Jobs, Bill Gates or perhaps in the realm of spiritual innovation Americans might name Oprah or Rob Bell or Nobel Peace Prize winner Malala Yousafzai.

In Edison’s prime, one poll of schoolkids found that Edison surpassed everyone else in America as the person they hoped to be like someday. Certainly, Edison was popular for his heroic rise to fame, his long series of startling inventions, not to mention the fortune he amassed. But the reason ReadTheSpirit magazine is highly recommending this two-hour PBS American Experience documentary about Edison is also the key to his worldwide celebrity as “the Wizard of Menlo Mark.”

Thomas Edison transformed our world.

Read the previous sentence again, because that kind of claim seems commonplace today, doesn’t it? Every day, headlines trumpet yet another “transformation” by Apple or the latest App developer with some new service that might range from finding a taxi to monitoring of our body’s vital signs.

What this PBS documentary shows us is that, by comparison with Edison’s milestones, most of these current “transformations” are trivial. And therein lies the deep spiritual and cultural questions raised by this fascinating video version of Edison’s life.

As an aside to our readers, in this review I want to properly credit writer and director Michelle Ferrari, who certainly has emerged as one of the most thought-provoking documentary filmmakers in America today. She also worked on two other documentaries that ReadTheSpirit highly recommended: The Poisoner’s Handbook and War of the Worlds. Bravo Michelle Ferrari for this intriguing body of work!

What Ferrari tries to convey to us in her story of Edison’s life is the earthquake-like changes he ushered into American life. Consider …

When he introduced the first device to permanently record sound—Edison took something that had been ephemeral throughout human history and, in one stroke, began the accumulation of audio in our worldwide cultural storehouse. Before Edison, music vanished as it was performed, great orations disappeared as soon as the speaker stepped away from the podium, and a host of historic events remain silent in our collective memories.

Think of the way our daily lives are surrounded by recorded sound in myriad forms! Before Edison, life’s soundtrack was limited to what happened within earshot.

When Edison introduced his light-bulb, Americans had been trying to claim useful hours after sunset through candles, oil lamps, gas jets and a handful of cities had tried using powerful outdoor arc lights. Edison safely tamed a permanent source of night-time illumination for our homes—and began the massive project of electrifying America—one city block at a time. Just imagine life before electrical outlets in every building!

Edison’s introduction of his first effective motion-picture camera was a turning point in global culture. Just as his audio recorder had suddenly allowed us to capture and preserve sounds—his camera let the world preserve motion! Before Edison, the world’s great dancers vanished with their last performance. Motion was ephemeral for thousands of years; now millions of movies surround every aspect of our lives.

If these Edison milestones intrigue you, then don’t miss Edison on PBS—or consider ordering a DVD of Edison from Amazon.

Care to see more from PBS?

This PBS American Experience website provides more background on Edison and includes a convenient option to find local broadcast times in your region.

(Originally published at readthespirit.com, an on line magazine covering religion, spirituality, values and interfaith and cross-cultural issues.)

Wake Up! Massimo Vignelli helped us see our world in new ways

This entry is part 4 of 4 in the series Wake Up!

Review by DAVID CRUMM
Editor of ReadTheSpirit online magazine

As 2014 ended, the New York Times devoted an entire page to remembering Massimo Vignelli, the designer who was born in 1931 and died in May. You may not know his name, but you’ve seen his work a million times in countless forms.

In a dozen photos and a brief profile of Vignelli, The Times explains how this one Italian-American immigrant and his wife Lella shaped contemporary America, calling Massimo “a modern-design missionary. His signature simplicity cut away the clutter found in much commercial design.”

That’s why the release of Design is One: Lella & Massimo Vignelli by documentary filmmakers Kathy Brew and Roberto Guera is such an eye-opening experience. Close your eyes for a moment and envision the “look” of American Airlines, Ford, IBM, Xerox, Gillette, JCPenney, Bloomingdales and Saks. Chances are your mind’s eye holds snapshots of Vignelli logos, products, signs, shopping bags and more. You’ve already got image after image of the Vignellis’ work stored away; seeing this film will unlock new insights into how those images connect.

Why are we reviewing this documentary in ReadTheSpirit—an online magazine widely read by people who care about spirituality and cultural diversity? Because this film is a terrific discussion-starter for small groups. You’ll find a host of associations with themes of faith and the goal of building healthy, diverse communities. In the film, the Vignellis say that their proudest accomplishment is the design of St. Peter’s Church in New York City, where they both planned to be interred and, of course, Massimo arrived in 2014.

As we tour this church in the film, Massimo points to the St. Peter’s columbarium and says, “That’s our permanent residence. It makes me so happy to know that we will be here forever.” If you discuss this film with friends, you’ll have an evening of spirited conversation on the St. Peter’s sequence, alone.

And, as the filmmakers show us in the course of the documentary, the Vignellis were interfaith pioneers, also designing a number of gorgeous pieces for Jewish families, especially focusing on silver candle-holders in various forms.

Stepping back from the specifically religious content of the film, the Vignellis spare modernist approach to design had the overall mission of encouraging healthy communities by bringing greater clarity to the treasures that can unite us as a body of diverse people. One of Massimo Vignelli’s most enduring projects was a redesign of the “look” of our National Parks.

Even the National Parks Conservation Association says that the graphical “look” of National Parks publications and maps was “an idiosyncratic hodgepodge” before Vignelli arrived in 1977 with the goal of popping Americans’ eyes open to the wonders awaiting us in our parks. Because of federal-government bureaucracy before that time, National Parks publications were printed in black and white in a crazy quilt of designs. Vignelli (with support from National Parks publications chief Vincent Gleason) designed maps and brochures and paperback books that featured gorgeous color photographs, simplified maps and a standardized design that welcomed visitors to any of the hundreds of nationally administered parks.

In the film, we hear Lella and Massimo repeatedly explain that their lives were dedicated to helping millions of Americans understand our country in clear and inviting ways. From home furnishings to subway maps, from chairs to books, from jewelry to magazines, from watches to calendars—this couple’s hands made our world more hospitable. As they accomplished their goal through a remarkably long career, they made America a more welcoming place for the growing diversity of our people.

Review: ‘Cold War Road Show’ will make you feel safer now

REVIEW BY DAVID CRUMM
Editor of ReadTheSpirit.com online magazine

Here’s something to feel truly thankful for this year! Watch The Cold War Roadshow on PBS’s American Experience this week and you will feel safer about our world in just 1 hour.

Global warming? Ebola? The ruthless armies of ISIS? Sure, they’re all critical global concerns we must address as concerned humans. But half a century ago, American life was transformed by the first visit of Soviet leader Nikita Khrushchev. As a population, “we” lined the streets to see his entourage pass through our nation. What is most remarkable about this? We stood along his motorcade route in stunned silence.

As the documentary about this world-changing 1959 visit explains: Americans were so terrified by the power of this man to touch off a global nuclear war that we didn’t know how to respond.

Khrushchev intended this visit to serve as a full-scale public relations campaign to win over American public opinion. He grinned almost constantly. He showed off his own family and warmly hugged any American children who came within arm’s reach. But his short temper often trumped his charm offensive.

When the mayor of Los Angeles insulted him at a public banquet, Khrushchev exploded. He roared back that Soviet factories were pumping out missiles like sausages and, if Americans wanted to go toe to toe with the USSR, they’d find themselves in a war to end all wars! The film footage from that day shows the mayor’s face going from a confident grin to a jaw-dropping expression of fear at what he had touched off.

One of the best things about this fascinating documentary is the decision by filmmakers Robert Stone and Tim B. Toidze to include interviews with two adults who were children on the front row of this first visit by a Soviet leader to American soil. Susan Eisenhower is Ike’s daughter and now is a highly respected consultant on international commerce. Sergei Khrushchev is the son of the former Soviet leader and an author and consultant as well. These two “kids” provide revealing commentary on what was taking place in that often shocking tour.

One insight? Khrushchev’s son admits that his father had a very short fuse when confronted with insults. At the infamous Los Angeles banquet, when he began boasting about turning out missiles like sausages, the Soviet leader was flat out lying. It was just angry bluster, the son tells us. In fact, the Soviets had produced very few missiles at that point. Of course, that angry exchange left Americans quaking in our boots—and led to increased spying and a dramatic escalation of Cold War confrontations into the early 1960s.

Any American who was a child in that era remembers the “duck and cover” drills we all learned in public schools. This documentary shows a brief clip of the way we did it: Boys and girls all dropping to the floor of our classrooms, crouching under our desks and covering our heads with our hands. Today, the idea seems like the darkest of comedy.

But then, when it comes to global issues right now, Pew reports “Americans don’t care.” Nearly 4 out of 5 Americans told Pew pollsters this year that they want our leaders to focus on domestic issues and stop worrying about global concerns. However, national security remains an almost universal concern and 3 out of 4 Americans told Pew that “preventing the spread of weapons of mass destruction” should be a top national priority. However we may balance those two attitudes—Pew reporting does show that Americans are no longer worried about a worldwide nuclear war ending life as we know it. And that certainly wasn’t the case when Khrushchev flew back to Moscow in 1959!

Watching this hour-long snapshot of America’s nuclear anxiety half a century ago is certain to make you feel more thankful this month!

WANT TO SEE THE FILM?

(Originally published at readthespirit.com, an on line magazine covering religion, spirituality, values and interfaith and cross-cultural issues.)

Review: ‘The Galapagos Affair: Satan Came to Eden’

By DAVID CRUMM

This film might have been titled: The Perils of Pursuing Paradise.

Ever since the late 1800s when Jules Verne began publishing his international best-sellers, the world has been fascinated by the idea of dramatically escaping from civilization. Flash forward to 2014 and a dozen popular TV series are fueled by that same desire. In late September, the National Geographic Channel will debut another one: Live Free or Die, a series that looks at Americans trying to survive in remote woods and swamps.

Now, Zeitgeist Films brings us one of the strangest true stories of escaping adventurers. This mixed bag of misfits converged on a remote island in the Galapagos chain between the two World Wars. Their tale is so wild that a writer for the Smithsonian Institution, reporting on the Smithsonian’s extensive archives about this strange adventure, described the story as “a screwball farce peopled by eccentrics” that “abruptly turned to tragedy.”

During the heyday of this Galapagos experiment, lurid magazines around the world published fanciful dispatches from this little colony with headlines that included: “The Nudist Empress of the Galapagos” and “Mad Empress in the Garden of Eden” and “The Insatiable Baroness who Created Her Own Paradise.”

As it turns out, the real pioneer in this “paradise” was a German doctor with a grandiose vision of his role as a philosopher and naturalist. He apparently was a very effective wilderness pioneer, building many hand-made devices to make his island home a pleasurable place to live. But he also was motivated by a selfishness that amounted to loathing other people. When an odd-ball mix of other adventurers showed up on this doctor’s remote island, trouble was all but certain.

The adventurer who was chiefly responsible for the island’s global acclaim was a woman with even more grandiose visions than the doctor. She called herself a baroness (even though she wasn’t) and very publicly set up a household with a rotating series of male lovers. She even began production on a silent film with herself starring as a savage, scantily clad pirate! Some footage of this bizarre movie is included in the documentary.

No wonder the Smithsonian columnist wound up publishing a long, four-part summary of this strange tale as the saga is “told” through the Washington D.C. archives. (Here are the four parts: One, Two, Three and Four.)

Much more dramatic than this Smithsonian Internet series is the two-hour documentary by Dayna Goldfine and Dan Geller, the folks who brought us the acclaimed documentary, Ballet Russes, which also dipped back into this pre-World War II era to give us a vivid portrait of the world-famous Russian troupe.

Why is ReadTheSpirit magazine reviewing this film? Because dreams of finding a remote paradise run throughout the long and tangled history of the world’s great religious movements, from some of the founding communities in what is now the United States (Remember the Pilgrims, the Puritans and the Shakers?) to tragic cults like Jim Jones’ Jonestown in Guyana where more than 900 people died in 1978.

Perhaps most fascinating about this cautionary tale from the Galapagos is that the German doctor’s master work of philosophy was ultimately of no interest to publishers in the civilized world and, instead, in 1935 his lover Dore Strauch published her own version of the island experiment, Satan Came to Eden: A Survivor’s Account of the Galapagos Affair.

This definitely is a mesmerizing two hours! It’s also a good choice for sparking conversation in any small group that enjoys discussing either new films or global issues.

(Originally published at readthespirit.com, an on line magazine covering religion, spirituality, values and interfaith and cross-cultural issues.)

Grace Lee Boggs: What do Americans look like?

WHERE CAN I  SEE “American Revolutionary”? The documentary about Grace Lee Boggs debuts on PBS’s POV documentary series Monday, June 30, 2014. Use this PBS webpage to learn more and check local listings. AND, from July 1-30, 2014, PBS will stream the documentary free of charge from that website, as well. No word yet on a DVD release of the film, but stay tuned to ReadTheSpirit for news of a future DVD.

REVIEW by ReadTheSpirit Editor DAVID CRUMM

As she enters her 100th year on the planet, Grace Lee Boggs has lived long enough to see all of America celebrating her achievements as a philosopher and civil rights activist. That’s a stark contrast with the many years that FBI bulldog J. Edgar Hoover labeled Grace and her husband James dangerous subversives—resulting in FBI surveillance and a thick FBI file compiled on both of them.

Filmmaker Grace Lee accidentally discovered this woman who is a household name in Detroit (as one of Michigan’s most famous resident philosophers, authors and human-rights activists). When she was starting out as a young filmmaker, Grace Lee was intrigued by the significant number of Chinese-American women with “her” same name. A decade ago, she began filming interviews nationwide in what she called The Grace Lee Project, and she eventually completed a documentary on the similarly named women in 2005. Among the women she met in that project, Detroit’s Grace Lee Boggs was by far the most intriguing—so filmmaker Grace Lee began a long-term friendship with the Detroit activist. They visited at least once each year for additional interviews.

The result is American Revolutionary: The Evolution of Grace Lee Boggs. The play on the words “revolution” and “evolution” comes from Grace Lee Boggs’ own teachings about her journey as a young scholar from pure Marxism through the turbulence of the civil rights movement of the 1950s and 1960s—to an embrace of nonviolence and a new appreciation for the evolution of change within communities. That change takes the entire hour-and-a-half of this film to explain—including several “30-second primers” on key issues that filmmaker Grace Lee inserts into her documentary to help us keep up with Grace Lee Boggs’ philosophical arguments.

Born Grace Lee, the daughter of a well-to-do Chinese-American family in New York City (where her father owned a famous restaurant), the young Chinese-American woman stood out as a brilliant student. She graduated early from Barnard College and, by age 25, already had earned a doctorate in philosophy from Bryn Mawr. She quickly became a well-known translator, speaker, journalist and activist in the movement for social justice and for racial equality—a movement that was ruthlessly suppressed for decades. In 1953, she married African-American activist James Boggs, the great love of her life until he died in 1993.

Her extensive work in the civil rights movement and later in the “black-power” movement—working shoulder to shoulder with her husband—mystified Hoover and the FBI. In one of the more amusing scenes in this new documentary, the filmmaker shows us a passage from her FBI file in which the agents could not make heads or tails of her ethnic identity. She was a true original even to her enemies!

WHAT YOU WILL SEE IN
‘AMERICAN REVOLUTIONARY:
THE EVOLUTION OF GRACE LEE BOGGS’

The film opens with Grace Lee Boggs walking—assisted by a wheeled walker—along the huge expanse of Detroit’s most famous symbol of blight: the 40-acre hulk of the devastated Packard Automotive Plant. Her words to us, as viewers, run counter to the startling visual imagery we see on the screen. She says:

“I feel so sorry for people who are not living in Detroit. Detroit gives us a sense of epochs of civilization in a way that you don’t get in a city like New York. It’s obvious from looking at Detroit that what was doesn’t work. People are always striving for size, wanting to be giants. And this is a symbol of how giants fall.”

And she has made her point. The petite Chinese-American woman who now is nearing her own century mark has survived and continues to walk these streets—even as the gargantuan auto plant now is a dangerous ruin.

Then, she warns viewers not to think that destruction is inevitable. In fact, communities move in complex, sometimes circular patterns—and new possibilities lie just around the corner of our imagination. “Evolution is not linear. Times interact.”

If you’re a younger viewer, this may seem incomprehensible, she tells us. “It’s hard to understand when you’re young about how reality is constantly changing because it hasn’t changed so much in your lifetime,” she says.

And that’s just in the opening few minutes of this film!

Here are some other “take away” quotes from Grace Lee Boggs to give you a sense of the thought-provoking journey that these two Grace Lees—the filmmaker and Boggs herself—are inviting us to undertake in American Revolutionary.

On her attitude toward the world’s current condition: “I think we’re in a time of great hope and great danger.”

On the need for everyone to keep changing: “Don’t get stuck in old ideas. Keep recognizing that reality is changing and that your ideas have to change.”

And: “Most people think of ideas as fixed. Ideas have their power because they’re not fixed. Once they’re fixed, they’re dead. … Changing is more honorable than not changing.”

On the power of each life: “You don’t choose the times you live in, but you do choose who you want to be. And you do choose how you think.”

On the power of conversation: “We are the only living things that have conversations, as far as we know. When you have conversation you never know what’s going to come out of your mouth or someone else’s mouth.”

On imagination: “There are times when expanding our imaginations is what is required. The radical movement has over emphasized the role of activism and underestimated the role of reflection.”

Why did she eventually come to embrace nonviolence? “Why is nonviolence such an important philosophy? Because it respects the capacity of human beings to grow. It gives them the opportunity to grow their souls. And we owe that to each other. And it took me a long time to realize that.”

Finally: “It’s so obvious that we are coming to a huge turning point. You begin with the protests but you have to move on from there. Just being angry—just being resentful—just being outraged does not constitute revolution. So many institutions in our society need reinventing. The time has come for a new dream. That’s what being a revolutionary is. I don’t know what the next American revolution will be. But you might be able to imagine it—if your imagination is rich enough!”

Care to read more?

(Originally published at readthespirit.com, an on line magazine covering religion, spirituality, values and interfaith and cross-cultural issues.)

Explore the world’s spiritual traditions in ‘Global Spirit’

COMING JULY 13, 2014:
JOANNA MACY, MICHAEL TOBIAS
AND ‘SACRED ECOLOGY’

For years, ReadTheSpirit magazine has recommended the exceptional spiritual conversations hosted by Global Spirit, an innovative series of broadcasts mainly delivered across the Internet. Hosted by scholar, filmmaker and writer Phil Cousineau, the series has welcomed a Who’s Who of famous spiritual sages.

Coming July 13, you will want to visit Global Spirit’s live-streaming website to watch Cousineau interview two top environmental teachers: Joanna Macy and Michael Tobias. Until that time, you’ll see a brief excerpt in a video window on that page. Then, at the end of each new episode, Global Spirit also hosts Live Webcasts with participants in the program. Visit this page to find the Live Webcasts.

When are these broadcast? This page lists Global Spirit’s complete broadcast schedule.

Joanna Macy is well known as a Buddhist scholar and environmental activist, encouraging spiritual reflections on the Earth’s living systems. Wikipedia has a more extensive biography on this now 85-year-old teacher. ReadTheSpirit magazine especially recommends Macy’s book published by New World Library, Active Hope: How to Face the Mess We’re in without Going Crazy.

Michael Tobias also is profiled in Wikipedia. He’s a leading environmental activist, as well, writing and teaching primarily about population stress on our planet and, especially, the need to create sanctuaries and to change policies governing the protection of life on Earth. He has circled the world in his activism, working regularly with partners on several continents. His writing has appeared in many magazines and journals, including Forbes magazine.

WATCH JOANNA MACY
AT CANTICLE FARMS NOW

Global Spirit has posted a short video clip of Macy talking about Sacred Ecology as a preview for the upcoming broadcast. This YouTube video is well worth watching, because Joanna Macy guides host Phil Cousineau around her Canticle Farm in Oakland, California.

Named for St. Francis’s Canticle of the Sun, Macy and her friends convinced the owners of five homes in a poor neighborhood of Oakland to take down the fences separating their back yards to form a single community garden. Organic fruits and vegetables are raised and given away to neighbors.

CLICK THE VIDEO SCREEN BELOW to watch this clip. NOTE: The first two-and-a-half-minutes show Macy in the Global Spirit studio talking with Cousineau—but stay tuned! The next five minutes are a colorful look at Canticle Farm.

Watch a preview of ‘Jerusalem’ the IMAX movie

Reviews from a wide range of journalists are raving about Jerusalem, a 45-minute large-format movie distributed by National Geographic with an impressive array of partners involved in the production. Just how wide is this range of reviews? In Washington D.C., for example, both the mainstream Washington Post and the famously conservative Washington Times praised the film and urged readers to go see it.

The film’s official website has more information, including listings of regional screenings. Or, you may prefer to read the Wikipedia overview of the film first.

The film’s major strength is that this crew was given access to film in many areas usually barred to such media projects. Given the IMAX-scale production that mainly means the cameras could be strapped to helicopters that flew over and around some of the world’s most sacred landmarks. You simply won’t see these eye-popping vistas anywhere else.

The voice narrating the film now is familiar to millions of viewers worldwide: Benedict Cumberbach, the BBC’s newest Sherlock Holmes and also a co-star in movies from 12 Years a Slave to parts of the Star Trek and Hobbit movie series.

The filmmakers’ own explanation of this project is a fair summary of what you’ll see, if you attend a showing: “Our film is not about the Israeli-Palestinian conflict. It embraces the idea that Jerusalem is many cities: imagined and real; past and present; Jewish, Christian, Muslim and secular. We are trying to answer the question: Why Jerusalem? What is it about this tiny space that made it the ultimate prize of empires and the object of longing for so many different cultures over thousands of years?”

YOU SHOULD SEE a video screen below. Click to view a 7-minute preview. (And, yes, it’s worth all 7 minutes!) If you don’t see a screen here, try clicking this story’s headline to reload the page, which should properly display the video screen.

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