Outside the Christmas circle, looking in …

Christmas decorations photographed by Nevit Dilmen, courtesy of Wikimedia Commons.AT CHRISTMAS, we remember that millions of Americans follow faiths other than Christianity. Plus, in a new study, 1 in 5 Americans say they have no particular faith. So, what does this overwhelmingly Christian celebration look like from outside the immediate circle of Christianity? Earlier, we published Rabbi Bob Alper’s delightful Mrs. Steinberg’s Christmas Tree. Our new movie review and small-group discussion story about Les Misérables has both Christian and non-Christian ideas for discussing the movie. TODAY, we welcome writer Bobbie Lewis reflecting on her own Jewish journey through a lifetime of American Christmas culture …

Fa-la-la!
Or, Bah, humbug?

By BOBBIE LEWIS

As a Jew, I’ve had a love-hate relationship with Christmas my entire life.

I don’t think I was even aware of the holiday until I was in first grade. My family had just moved to a new neighborhood in northeast Philadelphia. It was a very Jewish neighborhood, but our house was on the last street of the district for an elementary school in the older, heavily German-American neighborhood of Burholme.

During my seven years at that school I was the only Jewish girl in my class (there were also two Jewish boys). We started every day with a reading from the Bible, and on assembly days, with a hymn. I loved the imagery and cadences of the King James Bible, and am grateful that I had the chance, in the days before the Supreme Court said it was a no-no, to become familiar with important passages from the New Testament.

My class was preparing to present a Nativity pageant during assembly. I was to be one of Mary’s attendants, and I came home and told my mother I needed a costume to be a “birgin.” (She made something appropriate out of a white sheet.) During the pageant, we sang Silent Night, and Away in a Manger, the first Christmas carols I learned.

As I got older, I became unsure about what to do about Christmas carols. I loved the tunes but for many years I would silently mouth the words whenever the lyrics said anything about “Jesus,” or “Christ.” Still later, I decided that singing these beautiful songs was a testimony to the composer, not a statement of belief, and sang along enthusiastically.

My parents lit Hanukkah candles every year, but gifts were never an important part of the holiday for us. My father’s coworkers sent us Christmas cards, and my mother used to tack them onto Dad’s large wooden drawing board in the shape of a Christmas tree. For a few years, she let my brother, sister and me tack stockings next to the card-tree, and we’d receive little chatchkes in the stockings on Christmas Day. But I think we all knew it was a hollow gesture—they weren’t even real Christmas stockings, just old socks, and the gifts were unimpressive—so the custom quickly died.

I admit I envied my friends’ annual haul of Christmas gifts. But I developed my own tradition of going to visit my best friend, Carol, on the day after Christmas to look at her tree and her gifts and to eat her mother’s Christmas cookies—the best I’ve ever enjoyed!

My ambivalent relationship with Christmas continued into adulthood. My first post-college job was with the Jewish Federation of Metro Detroit, where non-Jewish holidays were ignored, so Christmas wasn’t an issue. Then I went to Sinai Hospital of Detroit. Although it was a Jewish-sponsored institution, most of the staff were not Jewish, and many wanted to decorate their work areas for Christmas. It became a huge controversy in the early 1980s. The administration finally decreed that Christmas trees and any religious-inspired decorations were out—evergreens and snowflakes were fine.

In subsequent jobs, I joined in the holiday festivities but I always felt niggling resentment that these supposedly secular organizations were giving so much attention to a Christian religious celebration; calling it a “holiday” dinner didn’t camouflage the real reason for the hoopla.

That changed 11 years ago when I went to work at Lutheran Social Services of Michigan. Because it was a Christian organization, I felt comfortable with the Christmas decorations, the Christmas parties, the “Secret Santa” gifts and enjoyed the holiday very much..

Now that I’m retired, I don’t have staff or colleagues for whom I need to buy Christmas gifts. Almost all of our friends are Jewish, so there’s no one to invite us a Christmas party. I don’t do a lot of shopping or watch a lot of TV, so I’m barely aware of Christmas in the malls or on the airwaves. For the first time in many years, I am doing nothing at all for Christmas.

And I admit, I sort of miss it.

For those of you who celebrate, I wish you the merriest of Christmases.

LIKE TO SEE MORE FROM BOBBIE LEWIS?

Barbara (Bobbie) Lewis is the founder and creative talent behind Write4Results, a consultancy offering writing, editing, public relations and communications counsel.

The 5 Best Christmas Movies (and all the rest)

A CHRISTMAS CAROL, co-starring Edward Woodward as the Ghost of Christmas Present and George C. Scott as Ebenezer Scrooge. Broadcast in 1984 and now available in DVD and Blu-ray.Truth about Christmas Movies:

100s of DVDs, but only 5 tales

By ReadTheSpirit Editor David Crumm

Love Christmas movies? My wife Amy and I are such fans that we have a lifelong mission to watch every Christmas movie. We’ve also vowed to watch made-for-TV Christmas movies and notable Christmas “specials.” True fans of Christmas video, for example, share our hope that someday George Lucas will unlock the vaults and rebroadcast the rarely seen Star Wars Holiday Special. Similarly, we’re hoping the Muppets will release the equally rare John Denver and the Muppets: A Christmas Together.

BUT, THIS YEAR, WE HAVE A CHRISTMAS MOVIE CHALLENGE FOR YOU: At our house, we started in the late 1970s watching home-movie versions of holiday films on VHS tapes. After 35 years of home viewing—now mostly on DVD and occasionally on Blu-ray—we have come to this conclusion:
There really are only 5 movie plots among the 100s of Christmas films.
The challenge to you? Let me explain this theory, then please email us at [email protected] (or leave a Comment below) and tell us what you think. Add to our listings, suggest a movie we may have overlooked—and feel free to disagree! (Psst! This also is a great discussion-starter for a holiday-season gathering of friends. I’ve tried this myself—and the discussion gets quite … Spirited!)

THE FIRST ‘MODERN’ CHRISTMAS TALE: CHRISTMAS CAROL

Click the cover to visit its Amazon page.The very first Christmas story is found in the Gospels—as little Linus pointed out in the 1965 debut of A Charlie Brown Christmas on CBS (now on ABC). But the first modern Christmas tale that echoed through Hollywood is Charles Dickens’ 1843 A Christmas Carol. Since the first documented silent-film version in 1901, more than 50 movies have retold Dickens’ tale. Think that’s a lot? The number of remakes doubles if we add all the slight adaptations, such as the new Hallmark version: It’s Christmas, Carol, co-starring Carrie Fisher as a Marley-like ghost with a few magical powers that even Dickens couldn’t imagine.

Then, the list of remakes expands even further if we add in all of the free adaptations of the Christmas Carol theme. Here’s what we mean …

THE BASIC TALE OF A CHRISTMAS CAROL: There is hope at Christmas even for at-risk adults whose anger or selfishness has isolated them from the wonderful, compassionate life surrounding them. In a Christmas Carol remake, this hope miraculously appears through ghosts or angels or other magical beings. (Author Benjamin Pratt has written a new take on Christmas Carol for the 2012 holidays.)

THE MOVIE FAMILY TREE: The biggest branch from the trunk of the Christmas Carol family tree came in 1946 with the release of Jimmy Stewart and Donna Reed in It’s a Wonderful Life. The movie was based on a short story by historian Philip Van Doren Stern, who was steeped in 19th-century literature and told friends that his idea for a new twist came to him in a dream. Simply connect the dots and you can see that Dickens’ ghosts eventually become a single angel helping Jimmy Stewart to glimpse his past, present and future. Just like Dickens’ version, Wonderful Life focuses on the plight of Bedford Falls’ poorest residents.

Another branch sprouted in The Bishop’s Wife in 1947—remade most recently with a black cast in the 1996 production, The Preacher’s Wife. In these versions of the tale, an angel plays an even bigger role in the drama with Cary Grant starring in 1947 and Denzel Washington appearing in 1996. Like the original, it’s a tale of a heavenly messenger at the holiday to remind an angry-selfish man of life’s larger possibilities. Once again, the story focuses on the plight of poor neighborhoods.

Where is the story branching now? Oddly enough, newer Christmas Carol remakes seem to be losing the Dickensian concern for the poor. The dramatic tension in the 2000 remake The Family Man, starring Nicholas Cage and Tea Leoni (with Don Cheadle as the angel), is between a life of fabulous wealth (pre-angel) and living happily on a middle-class budget (post-angel). No one worries about the poor. The same is true in the more recent Hallmark remake. Carrie Fisher comes back as a ghost simply to make her former business thrive again and the up-scale employees even more successful. The poor? They’re nowhere to be seen.

OK, you get the idea. Here are the other 4 archtypical Christmas movies …

SECOND TALE: Santa Is Real

Click the cover to visit Amazon.THE MOVIE FAMILY TREE: Santa movies date back more than 100 years, debuting in the silent era. But the nostalgic yearning to restore a lost faith in Santa dates to the post-World War II era and the unforgettable performance of Edmund Gwenn as Santa in the 1947 Miracle on 34th Street (not to mention the precocious acting of little Natalie Wood). The movie has been remade a number of times (and the 1994 Dylan McDermott version of 34th Street is pretty entertaining). The Scrooges among us may argue that there is more than nostalgia at work in “Santa is real” movies—considering that the love of Santa is closely entwined with the need for Christmas shopping. Tune in network TV this month and you’ll see a clip from the original 34th Street in a Hollywood-themed advertisement for Macy’s.

Where is the story branching now? Big revivals of the “Santa is real” theme include the runaway 1985 bestseller, The Polar Express, a gorgeous children’s book that became a 2004 movie. After all, this yearning for the jolly red gift bringer is a potent tale! Tim Allen turned out an instant Christmas classic in 1994 with The Santa Clause, followed by two sequels. For younger children, the “Santa is real” story now has morphed into a very popular branch of movies about dogs and the holidays. Not only is Santa real—but Christmas-loving dogs can talk and bring even more holiday gifts!

THIRD TALE: Home for Christmas

Click the cover to visit Amazon.THE MOVIE FAMILY TREE: Dramatic stories of making it home for Christmas stretch all the way back to the American pioneer era. Laura Ingalls Wilder tells one such tale of a life-and-death sleigh ride that managed to get her home for the holidays as a young adult. But the boom in such movies came with the vast displacement of World War II—coupled with Hollywood’s full-tilt support of the war effort. Today, few of us can sit through the nearly three hours of the Oscar-nominated Since You Went Away from 1944, co-starring a teen-aged Shirley Temple. Today, it’s rarely seen—but, if you are steely enough for that mid-WWII melodrama, you’re in for the mother lode of “home for Christmas” movies!

The enduring milestone in “home for Christmas” movies came a decade after WWII in 1954’s White Christmas. irving Berlin batted out the title song at a sunny, southern California hotel in 1940, not expecting the tune to become a hit. Then, by 1942, with American service personnel scattered around the world, the song’s haunting plea swept around the planet. It was chosen to close out the black-and-white musical Holiday Inn. The scenes of European battlefields and WWII veterans didn’t arrive until the 1954 Tecnicolor extravaganza, named for the song.

Where is the story branching now? For a while, “home for Christmas” was one of the most popular Christmas stories in Hollywood. In 1963, The Homecoming: A Christmas Story, was the pilot that kicked off The Waltons TV series. But, today? Although widely available on DVD, The Waltons series seems a bit too sweet. Director John Huges began playing with this tale, looking for a way to freshen it, switching the holiday to Thanksgiving in the 1987 Planes, Trains and Automobiles—still a favorite of Steve Martin and John Candy fans. Then, in 1990, Hughes finally struck gold by flipping the tale inside out in Home Alone. This time, it wasn’t one individual trying to reach home—the entire family would struggle to return home. Americans just can’t get enough of that version! Last month, ABC debuted: Home Alone 5.

FOURTH TALE: Misfits become a family.

Click on the cover to visit its Amazon page.THE MOVIE FAMILY TREE: This Christmas movie plot also sprouted from the huge global mix of cultures in World War II—and Montgomery Ward’s creation in 1939 of Rudolph the Red-Nosed Reindeer. Suddenly, Americans were thinking about how “misfits” could peacefully mingle—and even dare to become a loving family. The children’s book was a big hit for Montgomery Ward, but it didn’t fully connect with the culture until after WWII. Gene Autry took America by storm with his famous version of the Rudolph song in the final days of 1949. Rudolph became a made-for-TV classic thanks to Burl Ives, Rankin-Bass and General Electric in 1964. Sure, Rudolph is popular partly because of great music and animation. But—there is something far deeper in this story’s appeal.

Everywhere Americans turned there were misfits—even within their own families. Soon there were a host of “misfits become a family” Christmas remakes. At our house, we never tire of watching Bob Hope in the 1951 Lemon Drop Kid, based on a story by Damon Runyon and proving that even crooks can form a loveable clan at Christmas. Of course, Hope played that movie version for laughs. Decades later, Ed Asner and Maureen Stapleton ushered in a long list of Kleenex-required dramas about “misfits becoming a family” with their 1977 ABC debut of The Gathering. Asner still is well worth watching, although The Gathering is a bit dated with its heated argument over the Vietnam War. Among our favorite “misfits” remakes is the 1995 Home for the Holidays with Holly Hunter, Robert Downey Jr., Dylan McDermott and the twist of focusing the story on Thanksgiving.

The key distinction between “misfits become a family” movies and “home for Christmas”—in classical terms—is the difference between the Illiad and the Odyssey. The Illiad is the tale of the Trojan War and how conflicting friends and families battle through their differences. The Odyssey is about a hero’s journey to his beloved home. Odysseus does have to clean house before the saga ends—but there is no question of his longing for home. Unlike “misfits” movies, “home” movies are about that deep yearning and the heroic journey to reach the home fires once again.

Where is the story branching now? By 2012, “misfits” are freshly scrambled—and lovingly united—in new Hollywood releases for every holiday season. There are even “misfits” movies for New Year’s Eve, Valentine’s Day—with more holiday remakes in the pipeline. If you discuss this story with your small group, challenge them to think about movies that cross over between these categories. “Home for Christmas” is a well that seems to be running dry. So, cross-over movies try to blend that story with “misfits.” Ask your friends to talk about the 2004 Christmas with the Kranks, in which a sudden “home for Christmas” announcement prompts a whole neighborhood of “misfits” to form a loving family. Or, ask about 2008’s Four Christmases, in which Vince Vaughn and Reese Witherspoon have to visit four homes—chock full of misfits. Ask your small group: Which is more important these days? Finding home. Or, uniting misfits.

FIFTH TALE: Christ Is Real

Click the cover to visit its Amazon page.THE MOVIE FAMILY TREE: The first Christ-in-Christmas movies date back to the late 1800s, when short silent reels featured robed actors marching through Nativity scenes set against cheap theatrical backdrops. One early silent film even showed Mary and Joseph fleeing to Egypt past a painted wooden pyramid and sphinx that looked like they might fall over on the cast.

The “Christ is real” storyline was so common through most of the 20th century that it was unremarkable. NBC and Hallmark Cards simply assumed all TV viewers would accept the Gospel story when they commissioned Gian Carlo Menotti’s 1951 Amahl and the Night Visitors as the first Hallmark Hall of Fame production. Linus was free to proclaim the Gospel in A Charlie Brown Christmas a decade later. Johnny Cash welcomed Billy Graham onto his Christmas specials to tell the story of Jesus. Perry Como, a singer who was notable for his deep Christian faith, was winning praise for Christmas specials well into the 1980s.

Where is the story branching now? In recent decades, the “Christ is real” theme has faded at Hollywood studios. The biggest pointedly Christian production at Christmas came in 2006 with The Nativity Story, which Pope Benedict XVI agreed to personally promote via a world premiere at the Vatican. Unfortunately, the production all but tanked. It finally earned a profit, but drew lukewarm-to-thumbs-down reviews. Even though 9 out of 10 Americans tell Gallup that they plan to celebrate Christmas in 2012—and 6 in 10 say they plan to go to Christmas services—this final branch of the Christmas movie tree seems to be withering.

So, What Do You Think?

Add a Comment below or email us at [email protected] and, please, share this story with friends. You’re free to reproduce this post to spark discussion. Just add our credit line …

By ReadTheSpirit Editor David Crumm and …
Originally published at readthespirit.com, an online magazine covering religion and cultural diversity.

Finding Grace with Ghosts of Dickens’ Christmas Carol

AS WITH ALL OF THE REV. DR. BENJAMIN PRATT’S COLUMNS, we welcome you to share this widely. Feel free to repost or reprint and discuss in your small group. Simply make sure to credit Ben as the author and readthespirit.com as the website. TODAY, Ben poses a fascinating challenge that is sure to spark discussion: What spirits can you summon from Past, Present and Future?

Welcoming Spirits of A Christmas Carol:

And the Grace that Flows around Them

By Benjamin Pratt

Ebenezer Scrooge in John Leech’s 1843 illustration of Christmas Carol.I have no memory of Christmas until I was in the 10th Grade. That’s not because my memory is failing me—but because I grew up with no celebration of the holiday. Perhaps that’s why I am a fan of Charles Dickens’ Christmas Carol and, in particular, why I watch the 1970 Albert Finney version, Scrooge, more than any other film. Millions know this story: As a little boy, Ebenezer Scrooge’s family was so tragically broken apart that he never experienced Christmas until he was a youth apprenticed at Mr. Fezziwig’s shop.

From this, I have learned that it is difficult to grieve what we do not remember. It is difficult to find Grace winding its way toward us, ready to burst into our lives, if we do not spend at least a few moments among the ghosts. Charles Dickens had a profound faith that God’s Providence wants to throw open even the most locked-away corners of our lives—and to transform even the most tragic corners of our world. Re-read his classic novella and you will discover Dickens’ theology of Grace. The keys are everywhere in his novella, even in his damning six-word description of Scrooge’s home: “Darkness is cheap, and Scrooge liked it.”

So, I invite you to try my little exercise. Join me as the ghost of Jacob Marley invites us all: Come and let our spirits “rove beyond the narrow limits.” This year, I’ve already taken my journey. Here it is and perhaps it will give you courage to take your own.

GHOSTS OF CHRISTMAS PAST

Scrooge asks if this is a journey into the world’s “Long past.”
“No,” says the ghost. “Your past.”

One of My First Memories: In what became the formative story of my life, as a very young child I heard that—because I was born—my mother became an invalid. I was reared with a coating of guilt that glazed my soul as I watched her continue to decline. This story was told in my family not in cruelty—just as a fact of life.

A Dark Secret: At age 11 another formative event. I had an inexpensive stamp collection, one that came in a plastic bag with a booklet for identifying stamps. In the back of a drawer I found an old stamp my grandmother had given me. This stamp with a standing bear was, to my surprise and delight, pictured in the small booklet. It was worth $10,000. My spirits soared! I could buy my parents a house! I carefully wrapped the stamp, included a note requesting the money, and sent it off with anticipation. Days passed along with my growing awareness that I had been a fool. Now, I was a doubly guilty fool. It took many years for me to transform that guilt into an admiration for that little boy who was such a trusting, innocent soul.

Dumb and Maybe Dumber: When I was a boy, schools administered IQ tests and I was haunted by a teacher who, one day, knelt near my desk to whisper: “We have a problem.” I had scored extremely low on my IQ test, she told me. I knew instantly what it meant: I was dumb! My mind already was buzzing even as she continued: “It is impossible for you to have scored as low as you did on the IQ test and do as well as you do in school. We need you to repeat the test.” I never heard most of it—only the news of the extremely low score. I was worse than a guilty little boy. I was a guilty, stupid fool.

GHOSTS OF CHRISTMAS PRESENT

This time, Scrooge welcomes the Spirit and says, “Conduct me where you will. I went forth with the first Spirit on compulsion—and I learnt a lesson, which is working now. If you have aught to teach me, let me profit by it.” But Scrooge still has no idea what is looming. The patterns he has been sketching in the world remain unchanged.

In My Ministry, I Preach an Elusive Grace: My years of parish ministry opened up into endless hard work. That pattern became my way of life. Like so many other clergy persons, I preached about Grace but my life wrote a completely different theology. In my work, I showed how deeply I believed that only more and more good works could hope to justify my existence. The guilty, stupid little boy still was somewhere back there—watching me.

GHOSTS OF CHRISTMASES YET TO COME

Then, “the third Phantom slowly, gravely, silently approached … the very air through which this Spirit moved seemed to scatter gloom and mystery.” Can Grace be in such ghosts? But—this Spirit is the only one who completes the Gospel leap toward Grace for Scrooge. Of course we all know from the movies that this Spirit takes Scrooge to his gravestone. Actually, Dickens’ original story points us in a different direction: The key begins to unlock Grace during Scrooge’s final visit to the “future” of the poor Cratchit family. Standing in their tiny home, Scrooge is startled by hearing a line from the Gospels: “And He took a child, and set him in the midst of them.” As these words from Mark echo in Scrooge’s head, the Spirit is stirring. Dickens writes: “Where had Scrooge heard those words?”

What Happened in My Own Christmas Yet to Come: I could tell you time and place—but that is minor compared to the rush of Joy that filled my being when I finally surrendered my endless efforts of justifying work and heard the words in my soul that I am loved and accepted as I am. The Grace notes came from the outrageous love of the mysterious One who sent a child to be among us. It did not stop my hard work. But work came now from Grace, which leads to Gratitude, then to Compassion, and finally to Actions of Caring.

And so, as the turbulent 2012 draws to a close, this is my own Christmas Carol to our many readers who follow my columns, I believe, in search of light. Are we like Scrooge? Oh, yes, we are. But if you have read this far, then I suspect that you do not like the darkness too much. You are willing perhaps to say with me: “Conduct me where You will.”

Think of me, slipping Albert Finney and Scrooge into my DVD player once again. I shall tell myself that—this year—I shall not cry. But, again, I know I shall. How can I help it, when I witness the Grace that abounds in Scrooge as he awakens on Christmas morn? Or as Dickens concludes his tale, he says of Scrooge “that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!”

PLEASE, FEEL FREE TO TAKE THIS JOURNEY YOURSELF … AND SHARE WITH FRIENDS.

This column also was posted as a Key Voice in the website for the Day1 radio network.

Want more from Benjamin Pratt? The best way to support Ben’s ongoing work—and to give yourself a terrific boost in the new year—is to get one of his two books. Take a look in our ReadTheSpirit bookstore.

Originally published at readthespirit.com, an online magazine covering religion and cultural diversity.

Darkness to Light: Five Lessons of Hanukkah

Our friends at Jewish Lights publishing house invite us to share a column related to their new book, Revolution of Jewish Spirit: How to Revive Ruakh in Your Spiritual Life, Transform Your Synagogue & Inspire Your Jewish Community.

5 Gifts to Unwrap at Hanukkah

By Rabbi Baruch HaLevi and Ellen Frankel, LCSW

CLICK THE COVER to visit the book’s page at Jewish Lights.HANUKKAH begins on the Hebrew calendar date of 25 Kislev, and lasts for eight days. This year, the holiday is celebrated from December 8–16. The story of Hanukkah chronicles the four-year war that took place between 167–163 BCE as oppressed Jews struggled under the rule of Antiochus IV of the Syrian-Greeks. Jews were forbidden to follow their ritual observances and pagan worship was introduced into their sacred Temple. It is also about a civil war between those Jews who aligned themselves with the Greek-Syrian ways and the Maccabees, a small group of Jews who resisted such assimilation. The holiday culminates in the retaking and rededicating of the Temple in Jerusalem. The long-ago story of Hanukkah offers lessons for people of all faiths wrestling with challenges today.

Here are five ideas that Hanukkah can teach us:

1.) MOVE FROM DARKNESS
TO LIGHT

We have all experienced dark periods in our lives. Sometimes that darkness stems from an individual struggle, like the loss of a job, a loved one, or a sense of purpose in one’s life. At other times, it is a collective darkness, like the kind we all experienced on September 11, 2001, and in its aftermath. When darkness spreads it can lead to despair and hopelessness and it is important to recognize that place before we can transcend it. Sometimes, the situation calls for outward action; other times, what is needed is inward reflection. When the Maccabees revolted against the darkness they faced as a result of the increasingly harsh treatment imposed upon them, they chose outward action. When it came time to rededicate both themselves and their Temple, they called upon inward meditation to take the first step of faith by using the tiny amount of available oil to reignite the sacred light of the Temple and to rekindle their souls. In remembering that lighting, we see that our own light is never diminished when we share our light with others. As the days grow shorter and the air chills, the celebration of Hanukkah shines light into the darkness and teaches us to rededicate ourselves to kindling the flame of hope.

2.) STAND UP AGAINST OPPRESSION

The Festival of Lights is also a story about seeking freedom in times of tyranny. Though small in number against a powerful group, the Maccabees fought to regain their rights and in the end triumphed as they reclaimed the Temple. These were ordinary people with extraordinary courage and commitment to fight for their freedoms. Today, we see people both at home and abroad who are oppressed and marginalized. We are reminded that it is incumbent upon us—ordinary men and women—to fight for justice where we see injustice, and for liberty where we see oppression. It is important that we fight on behalf of our own freedoms as well as those of our fellow human beings. As Rabbi Hillel so famously said, “If I am not for myself, who will be for me? If I am only for myself, what am I? And if not now, when?”

3.) FIND BALANCE

The concept of assimilation figures largely in the story of Hanukkah. How does a community or a group maintain its identity in relation to the culture at large? How much will it resist outside influences and how much will it embrace those influences? When the Maccabees revolted against the Syrian-Greeks, they were also revolting against a Hellenistic culture and philosophy. Yet, as a result of living within the culture at large, Judaism moved from being philosophically illiterate to becoming a systematic and coherent faith. From the Greeks, and later the Romans, they learned the principles of legal interpretation that became the method of interpreting Jewish law in the Talmud. Many of the words central to the Jewish faith are Greek words, such as synagogue, Diaspora and even the word Judaism, itself. Just as it is important to find the balance of retaining one’s culture and tradition—while also being open to the gifts of the larger community—so too must we find this balance in our personal relationships. How do we connect with others without losing ourselves? Hanukkah offers an opportunity to find the balance in retaining our identity while still being connected and involved with people and communities outside of ourselves.

4.) TAKE THE FIRST STEP

Everyday we are faced with daunting tasks: solving the deficit, fighting discrimination, ending wars and seeking a more peaceful world. It can feel overwhelming just thinking about it—let alone figuring out where to begin. As the story of Hanukkah goes, when the Maccabees returned to their Temple after the war, the first thing they needed to do was to relight the eternal flame. But preparing more oil would take eight days. It would be easy to despair after years of fighting and now realizing that they were lacking the resources needed to move forward. Whether historically accurate or not—as the story of the Hanukkah miracle is retold each year: The Maccabees decided it had been too long since the eternal light had been ignited, so they took a first step. They committed themselves to starting the process of rededicating themselves and the Temple, one day at a time. They were amazed that their tiny amount of oil burned for eight days. During Hanukkah today, the shamash, or helper candle, is used to light an additional candle each night culminating in eight burning flames and reminding us that, by simply lighting one candle, we have the opportunity to light many candles. We are reminded of the words of the Talmud: “It is not upon you to finish the work, but you are not free to ignore it.” We each have a role to play in creating a better world by taking a first step, and then the next and the next.

5.) SEE THE MIRACLES

The idea of miracles surrounds the year-end holiday season. When the menorah is lit, an opportunity is provided to tap into the miracle of light shattering the darkness and opening up a world of possibilities. This time of year is about the movement from darkness to light in both the spiritual and material world. Whether it’s a Hanukkah menorah that we kindle, or a Christmas tree light strung by neighbors, or the candles some families burn in celebration of Kwanzaa—we are collectively reigniting the flame of awe for the miracles before us every day when we open our eyes and our hearts. We celebrate the miracle of friends and family, the miracle of having the chance to learn something new everyday, the miracle of our collective curiosity, creativity and compassion that moves us forward in both our individual and our collective stories.

Ellen Frankel and Rabbi Baruch HaLeviAlbert Einstein said, “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”

Too often, the holidays have become commercialized and the season can feel pressured with shopping, rushing and planning. Taking a step back can offer the opportunity to connect with the wisdom of tradition and to rekindle the spirit of today and the hope of tomorrow.

Want to Enjoy their Book? Visit Jewish Lights to learn more about Revolution of Jewish Spirit.

Want more about Hanukkah? Enjoy our column on the eight-day Festival of Lights.

Another festival of lights? Read about the Buddhist practice for Bodhi Day.

PBS visits Park Avenue for story of rich vs. poor

Regular readers of ReadTheSpirit know this story alreaday. As reported in an October OurValues column by University of Michigan sociologist Dr. Wayne Baker: “The gap between rich and poor is now at its widest ever. From 1997 to 2007, income grew by 275% for the top 1 percent of households.”

Dr. Baker cited an unimpeachable source for that statement—a report from the nonpartisan Congressional Budget Office. On Monday, November 12, the PBS Independent Lens series debuts Park Avenue: Money, Power & the American Dream, by Oscar-winning director Alex Gibney. (Here is the PBS Independent Lens website, where you can check local listings and learn more about alternate viewing options.)

PARK AVENUE DOCUMENTARY: WHO IS ALEX GIBNEY?

Gibney’s most striking religious connection is this: He is the stepson of the late Rev. William Sloan Coffin, who defined the role of the crusading liberal preacher in the 1960s and 1970s from his pulpit at New York’s Riverside Church. Coffin fought in the heart of the civil rights and anti-war movements.

Gibney is a layman, but no less of a prophet. He preaches through his documentaries and, now, is an award-winning filmmaker whose body of work makes him a voice well worth hearing. His 2005 documentary Enron: The Smartest Guys in the Room got rave reviews from top movie critics and also scored an Oscar nomination as Best Documentary, although it lost the statuette to March of the Penguins. Two years later, his Taxi to the Dark Side won the Oscar for Best Documentary by telling the chilling story of an Afghan taxi driver who was ensnarled in American detention and was beaten to death by American soldiers.

PARK AVENUE DOCUMENTARY: WHERE IT TAKES US

The stretch of Park Avenue near Central Park is New York’s richest neighborhood—and 740 Park Avenue is the home address of some of the world’s super rich, including one of the Koch brothers who just poured startling sums of money into Republican causes.

Here is a bit of the opening narration in the documentary, which sketches the storyline for this hour of national reporting on America’s ever-widening gap in income: “This street is about a lot more than money. It’s about political power. The rich here haven’t just used their money to buy fancy cars, private jets and mansions. They’ve also used it to rig the game in their favor. Over the last 30 years they have enjoyed unprecedented prosperity from a system that they increasingly control.

“But if you head north about 10 minutes, this Park Avenue comes to an end at the Harlem River. On the other side of the river, there is another Park Avenue. This is the South Bronx, home to America’s poorest congressional district. There are 700,000 people in this district. Almost 40 percent of them live in poverty, making less than $40 a day. From here, the last 30 years have looked very different than the view from Manhattan’s Park Avenue.”

If those lines have stirred your conscience—then make a point of tuning in or finding an alternate viewing option for this thought-provoking film. If those lines make you yawn, because you understand this crisis already or because you doubt that it’s really a crisis, then this probably is not your best viewing choice.

The documentary does, indeed, show us some fascinating details about 740 Park Avenue, its luxurious apartments and the ultra wealthy tenants who call this building home. But, beyond that, most of Gibney’s film is a crash course in understanding the historic income gap. While Gibney clearly blames the very Republican power brokers who just laid down vast sums in Election 2012—he also targets some prominent democrats, including Sen. Charles Schumer, D-New York. It’s no accident that Schumer is called the Wall Street Senator.

This is a terrific choice, post election, to discuss in your small group in coming weeks. Invite members of your discussion group to view the film and you’ll have no shortage of spirited conversation.

Review by ReadTheSpirit Editor David Crumm

Originally published at readthespirit.com, an online magazine covering religion and cultural diversity.

Children’s picture books: Did a story change your life?

In Jacob Needleman’s newest book about finding spiritual hope in our troubled world, the scholar reflects on his own childhood many years ago. Needleman credits both a young friend and early picture books with awakening his own interest in the cosmos. From his youthful fascination with astronomy to his adult research into the world’s ancient religious traditions, Needleman draws a straight line from childhood to his career as a writer. In his new book, he invites all of us to remember our childhood experiences of awe. Do you remember talking with a childhood friend about the night sky? Do you remember a favorite children’s book that entertained and amazed you?

NOW, ReadTheSpirit is inviting readers to respond to Dr. Needleman’s challenge. Specifically, we’re asking: What children’s book shaped your life? The first to respond is Mitch Horowitz, an author and also the publisher of Needleman’s newest book.

The Childhood Book That Changed Everything for Me:

Stevie by John Steptoe

Mitch Horowitz

Illustrator and writer John Steptoe produced Stevie in 1969 when he was 19 years old. When I discovered the slender volume at my neighborhood library in Queens at age 7, it changed everything for me. Stevie awakened me to the emotional experience of reading.

In a narrative of fewer than a thousand words, Stevie possesses more poignancy than most novels. It tells the story of two inner-city boys, Stevie and Robert, whose lives are thrown together when the younger Stevie is left in the care of Robert’s household. Stevie’s mother must work around the clock, perhaps as a domestic maid, and can see him only on weekends. Robert, our narrator, spends most of the book complaining about “Little Stevie” messing up his room, breaking his toys, and getting him in trouble.

One day, however, Stevie’s parents arrive to say they are moving away with him. Robert wakes up the next morning, fixes two bowls of cornflakes, and gets ready to settle in to watch cartoons with Stevie. Then he realizes despondently that the other bowl isn’t needed – Stevie is gone.

The book shows how loss often takes us by surprise. It’s a sad irony given how much time we spend complaining about others. I liked the author’s soft-spoken realism. Stevie first comes to live with Robert, and then is taken away from him, because Stevie’s parents are pressed to earn a living. Steptoe wrote Stevie in the idiom of young African-American boys: “But why I gotta take him everywhere I go?” Some readers objected to that. I loved it. As a kid I recognized it as real.

Steptoe worked and died at a young age – he passed away in 1989, just before his thirty-ninth birthday. In his author photograph on the original jacket he looks just a few years old than his own characters. After many years of my rereading the book – I share it today with my sons, 5 and 8 – I still feel the emotions of Robert’s surprise when he realizes that Stevie is no longer there.

MITCH HOROWITZ is vice-president and editor-in-chief at Tarcher/Penguin. He is the author of Occult America (Bantam), which received the 2010 PEN Oakland/ Josephine Miles Award. He is writing a history of the positive thinking movement, forthcoming from Crown. Visit him at: www.mitchhorowitz.com

PLEASE SHARE YOUR STORY: What’s the children’s book that changed your life? Email us at [email protected]


Pick up Because Amelia Smiled … and smile with her

CLICK THE COVER TO VISIT THE BOOK’S AMAZON PAGE.“Nah, I can’t make a difference!” Ever heard that? Ever said that? Because Amelia Smiled is a colorful, fanciful whirl around the world in the form of a children’s picture book. But the story is powerful because it rings true. As a journalist covering cross-cultural issues for more than 30 years, I can tell you—this truly is the good way the world can work.

ReadTheSpirit has recommended dozens of children’s books over the past five years, many of them from the talented crew at Candlewick Press who we like to single out for their commitment to this format in media and for their choice of books that celebrate diversity.

Anyone familiar with the power of children’s books knows that they’re not just for kids. They’re for parents and grandparents, too. And they shape the children who later become parents and grandparents. We just published an entire story about how a children’s book inspired one of the world’s greatest philosophers studying the connections between world religions: You can see one of Jacob Needleman’s favorite picture books in that story about his efforts to help save our planet today.

The entire text of Because Amelia Smiled wouldn’t fill a single page in a standard Word document. Yet that tale, which starts with the words “Because Amelia smiled, coming down the street …” carries us completely around the world and back home again. While Amelia is fiction, the chain of events are as true as countless real-life stories unfolding right now.

Do yourself a huge favor this week! Think of a child with whom you could enjoy this book. Order a copy and, then, simply … smile.

Originally published at readthespirit.com, an online magazine covering religion and cultural diversity.